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Everything Crash

by X-tal

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1.
You and we, we go together like Frida Kahlo and Leon Trotsky.* We can talk about our endless pain and the failure of our ideology. Spill your guts all over a canvas and from my exile I’ll fire off another tract. We walk a thin line between faith and fate, but right now I’d rather not talk about that, so… Pour me another black Russian and put off the serious part of the discussion. It’s my downfall. It’s my poison. It’s my platform, my position. Think twice before you follow; your chemistry may not be the same. Pour me another black Russian till I’m blurred and sharpened all the same. I don’t think I’m fundamentally evil, but I can be blinded by frustration. I blame no one but myself for the times I’ve fallen into stupid situations. In some anonymous east coast bar, some anonymous band is playing. I knock back more toxic waste, trying to blot out the question in my mind: Is it really over this time? We had it out on River Road. How ugly can two lovers get? The Sonoma County deputy sheriffs were this close to locking us both away. Well, I’ve got a lot to regret and I’ve got a lot to live down But one day I want to go back and make love to you in that same town. Pour me another black Russian and put off the serious part of the discussion. It’s my downfall. It’s my poison. It’s my platform, my position. Think twice before you follow Down the rabbit hole things get strange. Pour me another Black Russian and let’s get real, real gone for a change. *or “Jean-Paul Sartre and Simone De Beauvoir” when performed in France.
2.
You don’t know just how old hat you are Rattling on about handguns and ritual scars Center of attention, the in crowd’s special guest So many people are so easily impressed. Shock the bourgeoisie and sell them back their dread Got a name in ’77, you’ll milk it till you’re dead A few half-baked ideas sold as the perfect pose We’d all look cooler in the emperor’s new clothes. Once your words had such a subversive ring Now it’s the same old decadent shit and it doesn’t mean a thing Bored of all the things with which you are obsessed I’m not so easily impressed.
3.
Stop Torture 03:22
4.
Genesis Hall 03:28
5.
Utah 02:45
You won, you had me metal tied I've had nightmares all my life Local Utah scam, Bill Of Rights is dead Pig laughed, clicked me metal tied An ex post facto felony charge Who in the hell do you think you are? We're talking about pot pipes Not rape or swinging knives Pig laughed, clicked Leslie metal tied And I see through your lies Swastikas behind your eyes As American kids in freedom we went But now, freedom's redefined...
6.
No one understands the depth within your heart and mind No one understands the pain that you go through No one else’s problems exist for you Or at least they can’t compare with yours No one else could know what’s true No one else could open up the box that you confine yourself in Or unravel the web of reasons for your sad predicament No one stands up to examination Only what you see is real No one else could ever comprehend the loneliness you feel Oh you suffer, you suffer, you suffer Yeah that’s all you ever say Rant about it, moan about it Till you drive your friends away You’re so alone and other people are So cruel and so insensitive They try so hard, but they fail To live up to the standards imposed by you.
7.
I ran into Miguel At the laundromat one day He was saying it’s a funny thing How other people perceive your problems You can be on a collision course And everyone will think you’re doing just great Turn around and try to heal yourself They’re all so shocked to see the poison come out I’ve seen that one before I wanted more and more I fell into the well I laughed and said what the hell I’ve tried honesty And I’ve tried dishonesty Weighing out the alternatives All in all I like honesty better It’s a horrifying thing Retracing each rationalization Little by little, day by day Watching all my ethics slip away I’ve done that one before I wanted more and more I shrugged and said what the hell Fell deeper into the well A sweet haze going straight to the heart A warm blanket of blessed relief “Hey I work my ass off for a living When I come home I deserve a good time” But it’s funny how things progress And the good times just get boring Pretty soon you’re just avoiding the pain Everybody else takes for granted. I’ve seen that one before I needed more and more I rang the pleasure bell Endlessly climbing out of Hell Don’t talk to me about the 12 steps I can walk by myself, thank you very much And I know just where I’m walking I’m walking right out of here I don’t want to have to think about scoring And have to think about it again the next day I’m still paying off the last joyride I don’t care to jump on again. I’ve seen that one before I wanted more and more I rang the pleasure bell Endlessly climbing out of Hell I’ve done that one before I needed more and more I fell into the well…
8.
Census 07:07
I’ve seen the best minds of my generation Scrap their hopes and lower their expectations Split up into petty warring factions Embrace depression and line up for their rations A plundered world and a mortgaged future A hard boiled dystopian adventure Flotsam and jetsam sold down the river Human wreckage in the great western sewer I want to see the mighty fall Fall so far and fall so hard And when they finally land I want it to hurt real bad I’ve seen the best minds of my generation Write off years of their lives and their late inspirations Throw it all in the trash, both the real and the fake And make like the whole thing was a silly mistake. I’ve seen the best minds of my generation Lounging on the laurels of their glorious youth No one could ever be as cool as they were then They did it all, they did it better, there’s nothing left for you. I’ve seen the best minds of my generation Lose their dreams and forget the things that matter Get sidetracked by the usual temptations Sell their souls and watch their own wills shatter I’ve seen the best minds of my generation Slip and fall and get crushed by despair Bounce back and forth between denial and panic Don’t know where to go, so they go nowhere. I want to see the mighty fall Fall so far and fall so hard And when they finally land I want it to hurt real bad. And our small lives come and our small lives go We’re little more than insects to the important people The overfed apes cavorting on the big stage Spewing sanctimonious lines about good and evil And they make their big mess and gallop off into the sunset While middle management hands out the brooms and mops And the prisoners work off their long probation The show goes on and the show must stop.
9.
It's a matter of confused irrelevance In your relationship with yourself Do you find the door to the garden open and waiting Or are your books deeply buried on your shelf? With the grace of a foreign diplomat You succumb to the decisions at hand And you mind ticks away most ungraciously Sometimes your greatest enemy's your friend Mary and Martin always had a cure For your average daily blues Up at five before the sun In bed at ten before the news "Mondays through Saturdays ain't much," they say "There's still one day left to booze Besides what the hell would we do with ourselves? There's no time left to lose."
10.
Pacemaker 02:53
Oh, to pace back and forth Find a comfortable place But the cells ain't crackin' at their seams No sea of tranquility Sprouting from the desert, locking us up Prisons for private profit goals Nightmares relieve the hell Of life in this 8 x 10 foot hole Seen a hundred thousand morning smiles Traveled more and more of those morning miles Seen my eyes run their rainy course Heard my ears tell me it just gets worse Be careful of their eyes As you look under their skin Fell asleep to the sound of gulls Making a nest where their young, their young could grow Saw a thousand ways to spend the night Thousands of little wounds to slow them in their might Be careful of that might As you tear off their skin Oh to glide back and forth Up where mountains pierce the sky On a curvy swervy road through capitalism Lies a place where justice gathers And screams out free.
11.
Passing 05:38
I know enough about the Sun Dance To appreciate what it means But I’m sorry to say you couldn’t pay me enough To get me up on one of those things I’m divorced by force from a heritage I know virtually nothing about By choice from another in mutual disdain Can’t fit in, can’t do without New Mexico, late 19th century A woman counts her options to herself Cling to a culture conquered and crushed Or pretend to be somebody else Live the life of a midwestern wife Matriarch to a Methodist flock Pushing out children, some die at birth Hides her history under a rock Driving through the desert in a red and white Dodge Past barren farms and boarded up towns Wondering where all my cousins are. It seems I wound up with all the recessive genes A race waits inside of me alive Any random stranger can spot it right off But I can’t even tell them my tribe Alienation, tradition means nothing America, this is your life My family history shrouded in mystery A century passing for white.
12.
Watch out where you park your Beemer Going to the victory parade. The chickens are coming home to roost on your hood now. You’ve got a long dark night to face. The big man’s getting all excited. He thinks he’s found the cure for our malaise. 10,000 points of impending darkness (Stumbling down the middle of the road to nowhere) He’s got a long dark night to face. People are desperate and uncertain. Blind loyalty keeps them entertained. They can’t fool themselves for too long. They’ve got a long dark night to face. Why we gotta always talk like that? Don’t we ever run out of things to hate? Self-absorbed and bitter, how much longer? We’ve got a long dark night to face. We’re running out of time to waste. It’s going to blow up in our face. We’ve got a long dark night to face. Things get worse before they get better. We’d better face this night together.

about

The third X-tal album, released on the Alias label in 1992. Includes the classic songs "Black Russian", "Census", and "Long Dark Night".

CMJ REVIEW: When S.F. rock-crit-cum-musician J Neo name-drops both Frida Kahlo and Leon Trotsky in the first couplet of the album, we are reassured that this is the same old X-tal, embroidering a pan-folkie instrumental melting pot with lyrical intentions that are sometimes too smart and aware for their own good. Neo’s fearless examinations can lambaste the sort of desperate cries for attention in the name of art and nonconformity which abound in cities like San Francisco (“Easily Impressed,” “Que Lastima”), while edging perilously close to self-pitying superiority himself. Neo, however, seems to realize that writing about the bourgeoisie and El Salvador doesn’t make him a saint among men, and his constant looks over his shoulder, trying to catch himself in the web of hypocrisy as well, are part of what makes this record fascinating. X-tal’s musical melange—dolloping lap steel guitars, melodica, violins and other strummy elements atop the usual righteously electric instruments—finds a harmony and common attitude that it lacked on their first record, making melodious good sense (“Black Russian,” “Passing”) besides showing good intentions. When faced with a band that follows a cover of Crucifix’s “Stop The Torture” with one from Richard Thompson, deciding whether the band’s heartfelt, riled-up ambitions are quixotic or just pretentious is almost beside the point-the sheer chutzpah of Everything Crash keeps X-tal afloat. – Deborah Orr: CMJ New Music Report Issue: 282 – May 01, 1992

credits

released March 1, 1992

Produced by Norm Kerner and X-tal
Recorded at Brilliant Studios, 1991
© 1992 Undulant Rhetoric (BMI) except where noted

J NEO MARVIN: Vocals, guitars, keyboards, melodica, tin whistle, khaen
MICK FREEMAN: Vocals, drums
JIMMY BROUSTIS: Vocals, guitars, lap steel
ALLISON MOSELEY: Vocals, bass

Guests:
Carrie Bradley: Violin and toy xylophone
Jonathan Levy: Trumpet (Pacemaker)
Leslie Sullenger: Vocals (Pacemaker)

Cover photo: Rebecca Gleason

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X-tal San Francisco, California

Here, for the first time, the entire recorded output of X-tal in one place.

X-tal (1983-1996) were a San Francisco post-punk band fronted by J Neo Marvin. Greil Marcus of the Village Voice described them as a “small-time San Francisco combo that wears their defeated leftist politics on their sleeves and can open for the Mekons without letting you forget them when the headliners come on.” ... more

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